About Charlotte de Syllas
Charlotte De Syllas is acknowledged as one of the finest artist-jewellers working in Britain today. The prizes and honours she has been awarded include the prestigious Jerwood Prize for Jewellery in 1995, the Goldsmiths’ Company Award in 2007, and a major scholarship from the Queen Elizabeth Scholarship Trust in 1999.
Making one-off commissioned jewellery since 1966, Charlotte De Syllas has produced a portfolio of great originality and distinction. Each piece evolves from her own free designs to reflect the individuality of the client. Her collection thus presents a diversity of forms characterised by flowing lines and brilliant rainbow colours. The sculptural elegance of each piece tends, however, to mask the complexity of structure intrinsic to its design. A defining feature of her work, these intricate combinations of gemstone and metal are achieved through the ingenious, and highly innovative, three-dimensional approach that Charlotte De Syllas brings to the art of fine carving.
Colour is an essential element in each design, and it is her frank delight in the hue, the tone and the qualities of minerals, together with her fascination with organic forms of all kinds – a curling leaf, knotted stem, wings, fins, shells, indeed all things aquatic – that Charlotte De Syllas celebrates through her skills as a carver. But it is perhaps her inspired use of materials and the pursuit of extremes in shaping them, that sets her work apart: a unique synthesis of exquisite craftsmanship and daring creative vision. Her masterly handling of the intricate form has taken an ancient, traditional art and developed it into a remarkable – and remarkably modern – idiom.
Training
- 1963-6
- Hornsey College of Art under Gerda Flockinger
Scholarships, Awards
- 1966
- Hornsey College of Art Travel Scholarship Hitch-hiking around Nigeria making a sketch book on beads and their meanings
- 1971
- Freedom of the City of London, Goldsmiths Hall
- 1977
- Crafts Council Bursary
- 1995
- London Arts Board - research into glass casting
- 1995
- Leverhulme Grant - research into glass casting
- 1995
- Goldsmiths’ Craft Council awards:
1st prize stone cutters & cameo carvers section
Commended Jewellers design & make section - 1995
- Jerwood Prize for Jewellery won jointly with Peter Chang
- 1999
- Queen Elizabeth Scholarship for fine glass casting
- 2000
- Pilchuck Glass School Scholarship (USA)
- 2007
- Liveryman of the Goldsmiths Hall
- 2007
- The Goldsmiths' Award at the Goldsmiths Craft & Design Awards
Workshops
- 1966-73
- London
- 1967-71
- Free access to Royal College of Art workshops
- 1973-77
- Norfolk
- 1977-2007
- London
- 2007-2010
- Dorset
- 2010-present
- Norfolk
Teaching
- 1966
- Nigeria-bead makers (lapidary on modern machines)
- 1967-8
- Hornsey College of Art
- 1970-2
- Private student in workshop
- 1972-6
- Royal College of Art
- 1987
- Middlesex College of Art
- 1985-7
Farnham College of Art & Design
Epsom College of Art & Design
- 1995
- Edinbrough College of Art, M.Des. Supervisor
- 1995-6
- Visiting Professor of Jewellery Design in Glass, Wolverhampton University
- 1995
- N.I.F.T. Delhi, India
- 1999-present
- London Metropolitan University, Uni Summer School
- 2001
- Lappeenranta, Finland
Visiting Lecturer
- 1970–present
- Royal College of Art, London
- Sheffield College of Art
- Loughborough College of Art & Design
- Central School of Arts & Crafts, London
- Farnham College of Art & Design
- Camberwell School of Arts & Crafts, London
- Sir John Cass College of Art, London
- Grays School of Art & Design, Aberdeen
- Epsom School of Art & Design
- Edinburgh College of Art & Design
- Crafts Council
- Victoria & Albert Museum
- Society of Jewellery Historians
- Art Workers Guild
- Tallin School of Art, Estonia
- Young Jewellers, Faberge Arts Foundation, St. Petersburgh
Public Collections
- The Worshipful Company of Goldsmiths’
- Crafts Council
- Victoria & Albert Museum
Work
- 1966-present
- On commission & through Electrum Gallery, London, mostly in gemstone with gold, platinum silver as supporting materials
Exhibitions
- 2011
- Collect - Saatchi Gallery, London
- 2010
- Matter 2, Dovecot Gallery, Edinburgh
- 2010
- Collect - Saatchi Gallery, London
- 2009
- Creation II @ Goldsmiths' Hall, London
- 2009
- Collect @ Saatchi Gallery London
- 2005–6
- Collect, V&A London
- 2002
- Celebration, Goldsmiths’ Hall, London
- 2000
- Treasures of the 20th Century, Goldsmiths’ Hall, London
- 1997
- British Master Goldsmiths Exhibition, Goldsmiths’ Hall, London
- 1996
- New Times New Thinking, Crafts Council, London
- 1992
- British Goldsmiths Today, Goldsmiths’ Hall, London
- 1990
- Not Pots on 4, Crafts Council, London
- 1990
- Recent Acquisitions, Victoria & Albert Museum, London
- 1982
- The Maker's Eye, Crafts Council, London
- 1982
- The New Iron Age, Victoria & Albert Museum, London
- 1978
- Victoria & Albert Museum showcase, London
- 1973-4
- Observer Exhibition, Goldsmiths’ Hall, London, Cardiff & Edinburgh
- 1970
- Tokyo, Japan
Publications, Books, Work featured in Articles & pictures
- 21st Century Jewelry, the best of the 500 series, Martha le Van, Lark Crafts
- The Tulip Anthology, Ron Van Dongen, Hachette Australia.
- 500 Necklaces, Lark Books
- 500 Pendants, Lark Books
- Cristal de Roche, Silvie Raulet avec Alain Boucheron
- Jewels & Jewellery, Claire Phillips
- Design Sourcebook, Jewellery, David Watkins
- Jewelry in Europe & America, Ralph Turner
- Jewelry From Antique to the Present, Clare Phillips
- Jewellery, Thames & Hudson
- 20th Century Jewellery, Barbara Cartledge
- 20th Century Jewellery, Peter Hinks, Sotherby
- Contemporary Jewellery 1945-75, A Critical Assessment, Ralph Turner
- Jewelry Concepts & Technology, Oppi Utrecht
- Body Jewelry, Don Willcox
- The Art of Jewellery, Graham Hughes
Magazines & Papers, work featured
- 2011
- How To Spend It, Weekend Financial Times
- 2002
- How to Spend It, Weekend FT
- 2002
- Goldsmiths Review
- 1999
- Crafts Magazine July/Aug craftnotes
- 1996
- Crafts Magazine Jan/Feb craftnotes
- 1995
- Crafts Magazine shortform
- 1992
- The Arts Review
- 1992
- The Antique Collector
- 1989
- Crafts Magazine shortform
- 1979
- Architectural Review
- 1973
- Observer Magazine
- 1973
- Crafts Magazine article
- 1967
- Guardian
- 1966
- Observer Magazine
Television
- 1990
- Not Pots, Channel 4
- 1991 & 1994
- Not Pots, Channel 4 (Repeats)
Radio
- 2009
- Wheels & Stones by Judith Kampfer, BBC Radio 3
Restoration
- The Beckford Cup, Fitzwilliam Museum Cambridge
- Jasper Ewer circa 1600’s, restoration for Christies
- Ongoing repairs to Oriental Antiques in Jades & Hard Stones